It was a pleasure to answer a few Q’s for the SOUNZ Centre for New Zealand Music blog!
Click on the image below to head over to my interview on the SOUNZ website.
2021 is well underway and a lot has happened in my life recently, both musically and personally, so naturally I felt like writing a blog post all about it.
As a tiny house enthusiast I was very excited to come across one that was affordable to rent and parked in a lovely spot in Waikato. I’ve officially moved in, after a month of housesitting around Auckland! I’ll be going up to Auckland weekly for work and uni so I feel like I get the best of both worlds that I love – the busy exciting life and the quiet country life. It’s been great so far and I’m setting up an epic workspace which I’m hoping will help elevate my productivity to never-before-seen levels 😂
From now until June I’ll be travelling down to Nelson monthly to work with the Nelson Bays Harmony Chorus on our collaborative piece funded by the SOUNZ Community Commission. It’s been so cool seeing it all come together and I’m really looking forward to its premiere – 19th June at the Nelson Centre of Musical Arts.
In December I was stoked to find out that my choir piece Nunc Dimittis was Highly Commended in the 25 & Under Category in the 2020 Compose! Aotearoa Choral Composition Competition. This particular event actually marks the end of an era because I will never again be able to enter competitions restricted to ages 25 and under… as I have now exceeded that age limit :(
More recently, I was thrilled and honoured to find out that I was the recipient of the 2020 Douglas Mews Composition Prize, which is awarded to a composition student at the University of Auckland each year. This is the third time I’ve submitted a piece for consideration, so I’m reminded that persistence really is key.
My sweet friend and duo partner Avalon is moving to Wellington for a year to start her masters in music therapy, so there won’t be much AVA AND LEOV action happening in 2021. We did a couple of busking gigs post-COVID but haven’t played a whole lot since last summer. But we see each other as much as we can to hang out as we are friends first and duo second 💚 AVA & LEOV will definitely be back!
So, plenty to do!
‘Til next time – I hope 2021 is proving to be a wonderful year for you all so far 💜
I’m excited to have been selected for the 2020 SOUNZ Community Commission to create a new choral work in collaboration with the Nelson Bays Harmony Chorus.
This project will see me work with the chorus to compose a piece for SSAA a cappella women’s choir, which they will premiere in 2021. I’ll be working with them through their rehearsal process as well as the compositional process, and I’m really looking forward to seeing how this piece of music unfolds.
Check out the media release below from SOUNZ to read further, and stay tuned for updates.
Over the past month I’ve been working on a commission to write the musical score for a new childrens play by a local playwright. This involves composing 14 musical numbers of various lengths, making rehearsal scores, demo tracks and probably some further workshopping down the track.
I got the call about this project just after the start of lockdown. With the vast majority of my work grinding to a halt, I had just packed up all of my worldly belongings, stuffed them in my car, moved out of my flat, stored everything in a friends basement, left my car with another friend, booked an extraordinarily expensive flight out of Auckland, and flown down to Nelson. All in the space of two days.
I took a week or so to recover from those two days of madness and in early April I was ready to start work on the project. But it wasn’t as simple as that.
Everyone is responding differently to this global pandemic and to being confined to their homes. It’s not an experience many of us have faced before. I say many instead of any because those who are chronically ill, and people who have been on home detention, may have faced a similar confinement before, pandemic excluded.
Some people have jumped into lockdown projects that they finally have time to do – making a new garden bed, deep cleaning the car, sorting the junk in the basement. Good for them! Other are dealing by curling up in a ball and watching Netflix all day. Totally fine, everyone copes in their own way. Some people, I’m sure, have been diligently continuing with their usual work – whether it’s from school, university or their employment.
However many of us have been struggling with a certain aspect of life in lockdown, particularly students, particularly those who are now working from home. So that brings to me the question I’ve been trying to find the answer to for the past several weeks…
How do you be productive during lockdown if you really need to be?
How do you block out the stress and anxiety pervading social media, news media, and the planet in general, and get to work? For me personally, the main struggle is how does one engage in creativity not just for pleasure, but because it’s actually your job?
The following are some general guidelines that I’ve forged for myself over the past month in an attempt to overcome productivity guilt during this unusual time.
DON’T FORCE IT. Some mornings I would get all set up at my desk, switch on my keyboard, bring up the lyrics in front of me and struggle, struggle, struggle. My brain was fuzzy. I was staring at the screen. Nothing was happening. Okay, I’ll try guitar instead. *grabs guitar* ……. nope, still nothing. Well, nothing good. This is my cue to stop, and go do something else for a while. Bake some biscuits. Go for a walk. Maybe I’ll try again after lunch, and if that doesn’t work, then I’ll try again tomorrow.
BE KIND TO YOURSELF. As a perfectionist with high expectations of myself at the best of times, this is one of the most important reminders for me right now. Don’t hate on yourself for trying and failing to be productive. Firstly, at least you tried. Secondly, we’re in a global pandemic. It’s okay if it’s hard to focus, or get into a creative headspace. Thirdly, you can try again this afternoon. Or tonight. Or tomorrow. Or the next day.. or the next day.. and so on. Because we may be in our homes for a while.
REWARD YOURSELF. Hey, you know what? It’s 3pm and I’ve made demos for two songs today. I can tell that I’ve reached my limit of creativity and productivity for the day. Now I’m going to go get some snacks and lie on my bed reading for the rest of the day.
CREATE AN INTENTIONAL SPACE. My work space has to be immaculately tidy and organised or I get distracted from my work. You might not have the best setup at home but make the best of what you have. I recently decided I’d had enough of working at my desk, and shifted all my gear to my bed instead. Do whatever works to get you in the zone. If you’re stuck, try taking your laptop to another room, or outside, and see how different environments influence your headspace.
TAKE INSPIRATION FROM OTHERS. I get heaps of creative inspiration on Youtube, particularly from music channels like Stories and Pomplamoose who post amazing, innovative covers. During lockdown I’ve been enjoying live streams from a bunch of artists including Allen Stone, Tori Kelly, Jamie Cullum, Alec Benjamin, Charlie Puth and tons more. I also like listening to podcasts like Off Camera with Sam Jones and Armchair Expert, both of which dive deeply into the personal journeys of successful creative people as they’ve navigated their way through life and their own careers.
STRUCTURE YOUR DAY. You might not stick to the structure, you might not tick everything off the list, but at least it’s there as a guide. I usually write out a to-do list the day before, and put it in the order that I want to do each task. I use the app Teux Deux on my phone and it’s sooooo good for organisational nerds such as myself.
I found this video from Thomas Frank on how to plan your day while working from home to be super helpful. Sometimes we can have so much on our to-do lists that we don’t know what to do first. The kitchen metaphor from the video really stood out to me as a way of structuring what needs to get done:
I’m pleased to say I’ve nearly finished the initial writing phase. Just a few songs left! I’m sure I could have done it quicker but I’m not going to beat myself up about that. Life is nuts right now. I’m grateful this opportunity came at just the right moment and I’m proud that I’ve been able to get to this point given the circumstances we’re experiencing at the moment.
Soon I’ll be starting phase two of this project: finishing up the rehearsal scores and creating final demos for each song. I’m nowhere near working at full productivity and I’m still working to strike that balance between pushing myself to get things done and letting it happen naturally, but I’m definitely in a better rhythm than when I started. I hope that the above tips might help you if you’re struggling with productivity guilt while working or studying at home.
Sending virtual hugs to all of you, wherever you may be. Hang in there everyone.
Having already made our way into the second month of the New Year, I feel like it’s time to stock of what has happened so far.
January was an interesting month. It wasn’t as productive as I had hoped but that may have been due to the New Year holiday period, my mid-month 8-day trip to the North Island, and my 4-day stint in Christchurch/Auckland at the end of the month.
Despite my travels I did a couple of gigs with my solo singer/pianist hat on and also completed a few projects for clients. I was fortunate to be contracted to compose and produce the music for this short promo video for Little Pig Building Company, created by Lifeform Labs.
It was a great experience and I hope to continue building up a portfolio of music for screen this year. My goal is to start gaining professional experience in the screen industry (film/TV) as I would love to get into production sound or post-production music/sound. This year is all about searching for opportunities and saying yes!
While I’m currently based in Nelson, I’ll be taking a 5-day trip to Auckland/Hawkes Bay to reunite with my quartet, run some school workshops and rehearse for the upcoming Sweet Adelines Quartet contest in Dunedin which we’re competing in for the third time.
Alongside this I’ll be working on finishing the score for my musical theatre collaboration ‘Take Back The Universe’, with my friend and playwright/composer/songwriter/musician Marlon Richards, which will be getting some workshop exposure later this year! This will take place in Wellington where I’m most likely heading sometime in the coming months.
Basically I have plenty to keep me occupied, most of which doesn’t bring in much dosh at this very moment but I’m willing to keep putting in the hard yards and build up my network so I can live that freelance self-employed creative life! That’s all for now Xx